Film Score Friday: Star Trek III: The Search for Spock

Star Trek III: The Search for Spock
Starring William Shatner, paramount
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This week on Film Score Friday, we listen to the score from Star Trek III: The Search for Spock. James Horner wrote the score for this 1984 entry in the Star Trek series. Horner returned to the series after the success for Star Trek II: The Wrath of Khan. Horner continued with many of the themes he used in the previous film. This is one of the weaker Trek films, but also one of the better scores. 

Horner uses the idea of playing the same line octaves quite a bit. Each instrument in the brass section has their own chances throughout the score to play in octaves. The effect works well and achieves the foreboding effect the film needs. Horner, as usual, adapts motifs and groupings of instruments to fit characters on screen. For example, if you hear low brass with percussion, expect Klingons to be on the way shortly.

Where does this rank for Star Trek scores? Let us know in the comments. 

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Star Trek III: The Search for Spock on Amazon

Star Trek III: The Search for Spock on iTunes

Film Score Friday: Star Trek II The Wrath of Kahn

Star Trek II: The Wrath of Khan
Starring William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig
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This week on Film Score Friday, we listen to the score from Star Trek II: The Wrath of Kahn. James Horner wrote the score for this 1982 edition in the Trek franchise. This was Horner's first big profile movie. He delivered well. When Horner was brought on board, producers asked him to not use any of Jerry Goldsmith's material from the prior Star Trek film. 

I’m sure that I was influenced by Goldsmith’s large orchestral scores when I started out, and that was because the people who employed me wanted that kind of sound. I wasn’t in a position to say, ‘Go To Hell!
— James Horner on Star Trek 2

The director asked Horner to make the score sound "seafaring." This comes through quite a bit. There's a triple motive from the horns that adds drama at the right times in the top end of the range. Trumpets have lots of great fanfares as well. The low brass has plenty of chances to put air in their horns as well. 

In many ways, this film resembles an old submarine movie. The programmatic themes Horner inserts match this theme well. 

 

Where does this rank for Star Trek score? Let us know in the comments. 

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Star Trek II on Amazon

Star Trek II on iTunes

 

Film Score Friday: Star Trek First Contact

This week on Film Score Friday we take a listen to the 1996's Star Trek: First Contact. 

Star Trek movies had a stigma for many years of only being good if it was even numbered in terms of release order. Even some of the odd numbered lower quality films have had great scores. Star Trek: First Contact has the good fortune of being even-numbered as well as having a great score. 

Jerry Goldsmith wrote the score with assistance from his son Joel. Goldsmith brought back and expanded his signature theme from the original Star Trek film. He goes beyond that though and created some great new material for this score that blends with the movie extremely well. Our favorite part is the sweeping lyrical theme that gives the horns a chance to shine. 

Tell us in the comments which parts you think came Jerry or Joel. 

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Star Trek: First Contact on Amazon

Star Trek: First Contact on iTunes